Vegabajeño is the demonym for people of the town of Vega Baja.Įventually they were recognized as the National Trio of Puerto Rico and on October 26, 1996, a monument was inaugurated in Vega Baja. When trios were very popular in the Americas, Trio Vegabajeño was considered the ambassadors from Puerto Rico. This group marked an era of popular music in Puerto Rico. Trio Vegabajeño was a legendary Puerto Rican popular music trio that existed from 1943 to the early 80s. RCA, Marvela, Borinquen, Patty Records, Tecca Records, Ansonia It’s as if the pressure of hits is off, and somehow, joy has sprung forth in their stead.Bolero, danza, waltz, tango, guaracha, Puerto Rican folk Like Asalto Navideño, it brings in jibaro-styled parranda cuatro guitars to great effect, and their jumpy, snaking melodies infect every other instrument too. Somehow, the intervening years have only served to make the whole sound more youthful and daring. And yet the follow-up, with much the same artists but in a fading phase of their careers, is just a much livelier, more extravagant record. The title track and all of Felipe Rodriguez’s contributions are massive, eternal hits. Collecting all the biggest Christmas hit songs of the preceding half-decade, it’s a true show-of-force by the mighty Marvela label. The first album, published some five years earlier, is a bit of a hit monster. And then, as an almost exact equivalent from Puerto Rico, there’s Cantares de Navidad, Vol II. I may be blasphemous for saying so, but Elvis Presley’s second and Bing Crosby’s… sixth? ( I Wish You a Merry Christmas) are both considerably superior to their respective artists’ mega-selling debuts. There are probably only a handful of follow-up Christmas records that are better than the first. Somehow, the concentrated spirit of the first Christmas album never truly gets matched in a follow-up.

Some all-time greats, like Asalto Navideño and The Sound of Christmas, had direct, numbered sequels instead, trying their best to replicate the original recipe for success – but of course, that didn’t work out either. And that’s just when an artist tries to change. Ella Fitzgerald’s first was peppy, inventive and energetic, her second sedate, mature and a bit bland.

Mahalia Jackson’s first Christmas album was a tense masterpiece, the second mediocre country-tinged schlock. Reviewed by Johan Palme on 14th December, 2017Īre follow-up Christmas albums inevitably cursed to be lesser than their illustrious originals? Can a hit Christmas record never truly be replicated? Sometimes, it seems that way.

Trio vegabajeno discografia mega